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<title>Tropolism</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/" />
<modified>2011-12-01T22:12:30Z</modified>
<tagline>Tropolism: Making the Hidden City visible since 2005.</tagline>
<id>tag:tropolism.com,2011:/1</id>
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<copyright>Copyright (c) 2011, chadsmith</copyright>

<entry>
<title>Tetra-Shed, The Useable Shed</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2011/12/tetra-shed-the-useable-shed.php" />
<modified>2011-12-01T22:12:30Z</modified>
<issued>2011-12-01T22:00:12Z</issued>
<id>tag:tropolism.com,2011:/1.778</id>
<created>2011-12-01T22:00:12Z</created>
<summary type="text/plain"><![CDATA[Tetra-Shed: new awesome design object that seems perfectly designed for press release, without ever giving you a sense of it being completely real. &nbsp;It's a black Tony Smith sculpture to please the art crowd. &nbsp;It's functional! yet stylish for all...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/assets_c/2011/12/tetra-shed-modular-office-1-122.php" onclick="window.open('http://tropolism.com/assets_c/2011/12/tetra-shed-modular-office-1-122.php','popup','width=540,height=383,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://tropolism.com/assets_c/2011/12/tetra-shed-modular-office-1-thumb-440x312-122.jpg" width="440" height="312" alt="tetra-shed-modular-office-1.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><a href="http://www.tetra-shed.co.uk/">Tetra-Shed</a>: new awesome design object that seems perfectly designed for press release, without ever giving you a sense of it being completely real. &nbsp;It's a black Tony Smith sculpture to please the art crowd. &nbsp;It's functional! yet stylish for all that garden computing you do, for the Wallpaper/Dwell subscribers. &nbsp;It's modular! for the architects. &nbsp;It's manly and expensive for the GQ/Gilt Group followers. &nbsp;And, it's coming out in the near future for some undisclosed sum, for those of us who find it amusing, absurd, and who are going to forget all about it tomorrow.&nbsp;</span><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><br /></div><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><a href="http://www.tetra-shed.co.uk/about/">Favorite part of the website</a>: its uses are a range of applications (meaning we'll build these for anyone who pays) like classrooms, exhibition space (because a sitting down at a computer is totally the same environment as an exhibition), corporate events (it's a step up for those so kinda can't argue with that one), tourism and leisure facilities (like a pool or tennis court? &nbsp;do tell), and retail space. &nbsp;Which this is all perfectly suited for. &nbsp;</div><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><br /></div><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; ">Don't get me wrong, the object is completely cool and I don't care what it's for, because as someone whose life was altered when they found out <a href="http://books.google.com/books?id=TAUVAAAAYAAJ&amp;pg=PA248&amp;lpg=PA248&amp;dq=graham+bell+tetrahedral+tent&amp;source=bl&amp;ots=qGYNmTD_Am&amp;sig=zbcZSj8hAmxOs1qsVPj0bMzpTmI&amp;hl=en&amp;ei=vvrXTvOwJoWSgQfovqX7Dg&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=1&amp;ved=0CBwQ6AEwAA#v=onepage&amp;q=graham%20bell%20tetrahedral%20tent&amp;f=false">Alexander Graham Bell developed a tetrahedon tent to watch his tetrahedon kites in</a>, I get that it's not about utility. &nbsp;And the <a href="http://www.gizmag.com/tetra-shed-office-pod/20691/picture/149563/">images of it in multiples</a> are intriguing, even if it is kind of like building a big cave with no windows. &nbsp;Which is why marketing its utility hurts so much.</div><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><a href="http://tropolism.com/assets_c/2011/12/tetrahedonalshed-119.php" onclick="window.open('http://tropolism.com/assets_c/2011/12/tetrahedonalshed-119.php','popup','width=310,height=227,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://tropolism.com/assets_c/2011/12/tetrahedonalshed-thumb-440x322-119.jpg" width="440" height="322" alt="tetrahedonalshed.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a><br /></div><div style="color: rgb(0, 0, 0); font-family: arial; font-size: small; "><a href="http://tropolism.com/assets_c/2011/12/MrBell-116.php" onclick="window.open('http://tropolism.com/assets_c/2011/12/MrBell-116.php','popup','width=383,height=340,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://tropolism.com/assets_c/2011/12/MrBell-thumb-440x390-116.jpg" width="440" height="390" alt="MrBell.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></div> ]]>

</content>
</entry>

<entry>
<title>Tropolism Books: Lucio Costa: Brasilia&apos;s Superquadra</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2011/12/tropolism-books-lucio-costa-brasilias-superquadra.php" />
<modified>2011-12-01T15:39:43Z</modified>
<issued>2011-12-01T13:00:39Z</issued>
<id>tag:tropolism.com,2011:/1.777</id>
<created>2011-12-01T13:00:39Z</created>
<summary type="text/plain"><![CDATA[Title:&nbsp;Lucio Costa: Brasilia's SuperquadraAuthor: Fares El-DahdahPublication Date: February 2005&nbsp;Publisher:&nbsp;Prestel PublishingISBN:&nbsp;978-3791331577Speaking of Brasilia, one of the amazing books to come across my desk this year was the not-new-but-still-excellent Lucio Costa: Brasilia's Superquadra. &nbsp;The book is part of The Harvard Design School's&nbsp;also-excellent&nbsp;CASE...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Brazil</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; "><div style="font-style: italic; "><i><div><span class="Apple-style-span" style="font-style: normal; ">Title:</span><span class="Apple-style-span" style="font-style: normal; ">&nbsp;</span><i><a href="a href=&quot;http://www.amazon.com/gp/product/3791331574/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3791331574&quot;">Lucio Costa: Brasilia's Superquadra</a></i></div></i><div style="font-style: normal; ">Author: Fares El-Dahdah</div><div style="font-style: normal; ">Publication Date: February 2005&nbsp;</div><div style="font-style: normal; ">Publisher:&nbsp;Prestel Publishing</div><div style="font-style: normal; ">ISBN:&nbsp;<i><div style="display: inline !important; "><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: verdana, arial, helvetica, sans-serif; font-style: normal; font-size: small; ">978-3791331577</span></div></i></div></div><div style="font-style: italic; "><span class="Apple-style-span" style="font-style: normal; "><br /></span></div><div style="font-style: italic; "><a href="http://tropolism.com/assets_c/2011/12/2011-02-09 14.01.36-113.php" onclick="window.open('http://tropolism.com/assets_c/2011/12/2011-02-09 14.01.36-113.php','popup','width=1920,height=2560,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://tropolism.com/assets_c/2011/12/2011-02-09 14.01.36-thumb-440x586-113.jpg" width="440" height="586" alt="2011-02-09 14.01.36.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></div><div style="font-style: italic; "><span class="Apple-style-span" style="font-style: normal; ">Speaking of </span><a href="http://tropolism.com/archives/2011/11/tropolism-books-brasilia-chandigarh-living-with-modernity.php" style="font-style: normal; ">Brasilia</a><span class="Apple-style-span" style="font-style: normal; ">, one of the amazing books to come across my desk this year was the not-new-but-still-excellent </span><i>Lucio Costa: Brasilia's Superquadra</i><span class="Apple-style-span" style="font-style: normal; ">. &nbsp;The book is part of The Harvard Design School's&nbsp;also-excellent&nbsp;CASE series. &nbsp;Composed of ten essays about Lucio Costa's design for Brasilia, and how the resulting city has evolved since the majority of it was built. &nbsp;The essays, starting with an excellent interview with Costa himself, focuses on the specific, unique character of Brasilia. &nbsp;Costa sums it up well:</span></div><div style="font-style: italic; "><span class="Apple-style-span" style="font-style: normal; "><br /></span></div></div><blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; "><div style="font-style: italic; "><span class="Apple-style-span" style="font-style: normal; ">In a normal city, urbanism's objective is to create conditions that allow a city to sprout like a plant, unlike Brasilia, which is a product of reason imposed by an act of will that occurred with the expressed objective of transferring the country's captial. &nbsp;The intention was to create a city that had a pleasant way of life, yet remained truly administrative with its own characteristics well defined, meaningful.</span></div></div></blockquote><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; "><div><br /></div><div>By focusing on the Superquadra, Costa's brilliantly devised solution to residential living in Brasilia, the reader enters into the life of the city, and the uniqueness of its organization. &nbsp;The Superquadra are composed of housing blocks, and at its edges are commercial strips and public buildings. &nbsp;The aggregation of these building blocks works, and works well, creating a modern city that is unlike any other. &nbsp;Having just visited said Superquadra, I was struck by how well this book captures the very special nature of these&nbsp;neighborhood&nbsp;units. &nbsp;The housing blocks, suspended above the ground, leave the ground floor almost entirely open. &nbsp;The result is wonderful: one is truly moving through a park full of residential buildings. &nbsp;Some of the newer blocks compromise this aspect but overall the city is as intended. &nbsp;The essays do a good job of delineating this evolution, and the laws supporting them.</div><div><br /></div><div>As a case study in how an entirely new urban idea evolved and played out, this book is valuable. &nbsp;Everything from the shape of the buildings to the politics underlying them, to the way laws shape buildings is captured here. &nbsp;Because Brasilia is so young, and is an entirely designed city, it is a good subject for this kind of case study: micro adjustments in code alter the buildings that go up immediately after. &nbsp;For those interested in diving into some good urban design reading, as well as those who love Brazil and Brasilia, or those who study city design, this book is a must.</div><div><br /></div><div><i><a href="a href=&quot;http://www.amazon.com/gp/product/3791331574/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3791331574&quot;">Please support Tropolism by purchasing this book on Amazon.</a></i><a href="a href=&quot;http://www.amazon.com/gp/product/3791331574/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3791331574&quot;"></a></div><div><br /></div><div><iframe src="http://rcm.amazon.com/e/cm?lt1=_blank&amp;bc1=FFFFFF&amp;IS2=1&amp;bg1=FFFFFF&amp;fc1=000000&amp;lc1=4D9100&amp;t=moriarty&amp;o=1&amp;p=8&amp;l=as4&amp;m=amazon&amp;f=ifr&amp;ref=ss_til&amp;asins=3791331574" scrolling="no" marginwidth="0" marginheight="0" frameborder="0" style="width: 120px; height: 240px; "></iframe></div></div>]]>

</content>
</entry>

<entry>
<title>Tropolism Books: Brasilia-Chandigarh: Living With Modernity</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2011/11/tropolism-books-brasilia-chandigarh-living-with-modernity.php" />
<modified>2011-12-01T15:41:28Z</modified>
<issued>2011-11-30T13:20:48Z</issued>
<id>tag:tropolism.com,2011:/1.776</id>
<created>2011-11-30T13:20:48Z</created>
<summary type="text/plain"><![CDATA[Title:&nbsp;Brasilia-Chandigarh: Living With Modernity Author: Iwan BaanPublication Date: August 2010&nbsp;Publisher:&nbsp;Lars MullerISBN:&nbsp;978-3037782286Brasilia-Chandigarh: Living With Modernity is an enchanting book about the daily city life of these two great Twentieth Century capitals. &nbsp;Both cities share common architectural attributes, stemming from their common...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Brazil</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<i><div><i><div><a href="http://tropolism.com/assets_c/2011/11/brasilia_chandigarh_in_120810-52-110.php" onclick="window.open('http://tropolism.com/assets_c/2011/11/brasilia_chandigarh_in_120810-52-110.php','popup','width=712,height=460,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"></a><span class="Apple-style-span" style="font-style: normal; ">Title:</span><span class="Apple-style-span" style="font-style: normal; ">&nbsp;</span><i><a href="http://www.amazon.com/gp/product/3037782285/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3037782285">Brasilia-Chandigarh: Living With Modernity</a><img src="http://www.assoc-amazon.com/e/ir?t=moriarty&amp;l=as2&amp;o=1&amp;a=3037782285" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />
</i></div></i><div style="font-style: normal; ">Author: Iwan Baan</div><div style="font-style: normal; ">Publication Date: August 2010&nbsp;</div><div style="font-style: normal; ">Publisher:&nbsp;Lars Muller</div><div style="font-style: normal; ">ISBN:&nbsp;<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: verdana, arial, helvetica, sans-serif; font-size: small; ">978-3037782286</span></div></div><div><br /></div><div><div style="font-style: normal; "><i><div><i><div><a href="http://tropolism.com/assets_c/2011/11/brasilia_chandigarh_in_120810-52-110.php"><img src="http://tropolism.com/assets_c/2011/11/brasilia_chandigarh_in_120810-52-thumb-440x284-110.jpg" width="440" height="284" alt="brasilia_chandigarh_in_120810-52.jpg" class="mt-image-left" style="border-style: initial; border-color: initial; border-style: initial; border-color: initial; border-style: initial; border-color: initial; border-style: initial; border-color: initial; float: left; margin-top: 0px; margin-right: 20px; margin-bottom: 20px; margin-left: 0px; " /></a></div></i></div></i></div><div style="font-style: normal; "><i>Brasilia-Chandigarh: Living With Modernity</i> is an enchanting book about the daily city life of these two great Twentieth Century capitals. &nbsp;Both cities share common architectural attributes, stemming from their common early-Modernism DNA: the plasticity of concrete, the deep thinking about how to assemble the various aspects city, the ambition (and realization) of building an ideal city in the face of the impossibility of the task. &nbsp;Each spread is a single photograph, and each spread is a world of lives unto itself. &nbsp;The first half is devoted to Brasilia, the second Chandigarh. &nbsp;Iwan Baan captures the city through his watchful camera, and his technique of having people engage (or try to ignore) his camera is a brilliant one: it connects the reader of this book to the city life he is documenting.</div></div></i><div><br /></div><div>From the essay by Cees Nooteboom situated between the two halves of the book (and speaking about Brasilia):<div><br /></div><blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"><div>Even then, only around ten years after the construction, the tropics had done their work, and human beings had inserted themselves between the design and the practice. &nbsp;To be clear, perhaps you could put it this way: architectural sketches are always silent, whereas cities never are. &nbsp;It is not drawings that live in cities, but people, unpredictable individuals who might at any moment&nbsp;disturb&nbsp;the order that has been designed for them, who may break through the silence of the sketches by making use of that unique instrument that makes a city a city: the human voice.</div></blockquote><div><br /></div><div>Having <a href="https://picasaweb.google.com/chadsmitharchitect/20110210Brasilia?authkey=Gv1sRgCNnl9YT12OHAkwE">visited one of these cities</a> this year, I found myself transported back to Brazil. &nbsp;Brasilia is beautiful, shining, and entirely unexpected. &nbsp;In the areas I wanted it to be great, it was not. Yet it was great in areas I did not expect, or did not even know to expect: because so much of it is unlike any city anywhere, it felt continually new, without feeling&nbsp;oppressive&nbsp;or alienating. &nbsp;Iwan Baan's photographs are like that feeling. &nbsp;They are inviting, unexpected, and evergreen.</div></div><div><br /></div><div><i><a href="a href=&quot;http://www.amazon.com/gp/product/3037782285/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3037782285">Please support Tropolism by purchasing this book at Amazon.</a></i><a href="a href=&quot;http://www.amazon.com/gp/product/3037782285/ref=as_li_ss_tl?ie=UTF8&amp;tag=moriarty&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=3037782285"></a></div><div><br /></div><div><i><div><iframe src="http://rcm.amazon.com/e/cm?lt1=_blank&amp;bc1=FFFFFF&amp;IS2=1&amp;nou=1&amp;bg1=FFFFFF&amp;fc1=000000&amp;lc1=4D9100&amp;t=moriarty&amp;o=1&amp;p=8&amp;l=as1&amp;m=amazon&amp;f=ifr&amp;ref=tf_til&amp;asins=3037782285" scrolling="no" marginwidth="0" marginheight="0" frameborder="0" style="width: 120px; height: 240px; "></iframe></div></i></div><div><br /></div><div><br /></div><div><br /></div>]]>

</content>
</entry>

<entry>
<title>New York 101, 2011</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2011/11/new-york-101-2011.php" />
<modified>2011-11-14T13:12:53Z</modified>
<issued>2011-11-14T13:11:46Z</issued>
<id>tag:tropolism.com,2011:/1.775</id>
<created>2011-11-14T13:11:46Z</created>
<summary type="text/plain"><![CDATA[We were nominated for something whilst we were travelling in Mexico on our honeymoon. &nbsp;You could have voted for us! &nbsp; Or something....]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[We were nominated for something whilst we were travelling in Mexico on our honeymoon. &nbsp;You could have voted for us! &nbsp; Or something.<div><br /></div><div><br /></div>
<a href="http://www.newyork101.net/the-new-york-101-2011/"><img class="aligncenter size-full wp-image-848" title="Top 101 New York Travel Blog" src="http://www.newyork101.net/wp-content/uploads/2011/11/newyork101.png" alt="Top 101 New York Travel Blog" width="150" height="150" /></a>]]>

</content>
</entry>

<entry>
<title>Guggenheim Museum Licenses Colors; Towel Bars and TP Holders Coming In 2012</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2011/10/guggenheim-museum-licenses-colors-towel-bars-and-tp-holders-coming-in-2012.php" />
<modified>2011-10-13T14:11:19Z</modified>
<issued>2011-10-13T13:45:53Z</issued>
<id>tag:tropolism.com,2011:/1.774</id>
<created>2011-10-13T13:45:53Z</created>
<summary type="text/plain"><![CDATA[Qualifying for most hilarious licensing deal of the month, The Guggenheim Museum in New York is licensing paint colors. &nbsp;It's a natural, from a focus group viewpoint. &nbsp;Think about it. &nbsp;Museums have both paint-ings and they also paint their walls....]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<a href="http://tropolism.com/guggenheim%20fine%20paints.jpg"><img alt="guggenheim fine paints.jpg" src="http://tropolism.com/assets_c/2011/10/guggenheim fine paints-thumb-440x293-106.jpg" width="440" height="293" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Qualifying for most hilarious licensing deal of the month, The Guggenheim Museum in New York is<a href="http://www.guggenheimcolorbyfpe.com/store/pc/home.asp"> licensing paint colors</a>. &nbsp;It's a natural, from a focus group viewpoint. &nbsp;Think about it. &nbsp;Museums have both paint-<i>ings</i> and they also <i>paint their walls</i>. &nbsp;Sometimes in non-white colors! &nbsp;So they took colors from famous/old paintings to create a fan deck that looks like, well, like most paint fan decks, except with fewer true greens and oranges.&nbsp;<div><br /></div><div><a href="http://tropolism.com/Guggenheim%20CLASSICAL%20colors.jpg"><img alt="Guggenheim CLASSICAL colors.jpg" src="http://tropolism.com/assets_c/2011/10/Guggenheim CLASSICAL colors-thumb-440x358-108.jpg" width="440" height="358" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></div><div>Don't get me wrong, I love me some creative licensing. &nbsp;Frankly I don't care if it's off-mission or off-brand or off-message or whatever constructions end up limiting original thinking. &nbsp;But if you're going to go off-road with your product, it should at least rock the party microphone. &nbsp;These colors are very, very nice! &nbsp;But are the hues really any different than just picking the same color chips from <a href="http://www.donaldkaufmancolor.com/">other </a>fine paint company's existing&nbsp;palettes? &nbsp;And are the colors really unique to Guggenheim? &nbsp;If Fine Paints Of Europe (whose paints rock, by the way) did this with a Cezanne in MoMA wouldn't the end result be the same? &nbsp;The product looks nice, but the branding feels flat.&nbsp;</div><div><br /></div><div>My favorite part of the press release:&nbsp;</div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Century Gothic', 'ITC Avant Garde', Arial, Helvetica, sans-serif; "><br /></span></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Century Gothic', 'ITC Avant Garde', Arial, Helvetica, sans-serif; ">For more information about the Guggenheim Museum's licensing program: &nbsp;<a href="http://r20.rs6.net/tn.jsp?llr=48m9bfcab&amp;et=1108096885886&amp;s=6519&amp;e=001A62Dnic9gEeGKIqW-iTj7tfYAdcA7izFkps-zRXQCqXTPK_4fNm4iTLS6aw7FOX3pb8T3FijOgIgxsI_KgL749btQliiZ5jS9oc8wSlYAJELDrElXHGGmwMcxxVgGzIYKGpGGGYG9XW8_5Weiyn11bQlaKZ7zuulD6OdfQvIgjYfvpjw-F5N0g==" shape="rect" target="_blank" style="color: blue; ">www.guggenheim.org/new-york/<wbr>about/licensing-location-<wbr>shoots</a>.</span></div></blockquote>]]>

</content>
</entry>

<entry>
<title>Character Approved&apos;s Architecture Expert: Chad Smith</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/06/character-approveds-architecture-expert-chad-smith.php" />
<modified>2010-06-11T14:20:47Z</modified>
<issued>2010-06-11T14:17:01Z</issued>
<id>tag:tropolism.com,2010:/1.773</id>
<created>2010-06-11T14:17:01Z</created>
<summary type="text/plain"><![CDATA[If it seems like the posting frequency has gone down a tad the last few months, that's because it has! &nbsp;I am also writing for USA Network's Character Approved Blog, which assembles experts in various cultural fields to talk about...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Writing Architecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<a href="http://tropolism.com/picture_library/characterapproved.jpg"><img alt="characterapproved.jpg" src="http://tropolism.com/assets_c/2010/06/characterapproved-thumb-440x428-104.jpg" width="440" height="428" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>If it seems like the posting frequency has gone down a tad the last few months, that's because it has! &nbsp;I am also writing for <a href="http://www.characterblog.com/main-categories/architecture/">USA Network's Character Approved Blog</a>, which assembles experts in various cultural fields to talk about what we think is positively impacting the cultural landscape. &nbsp;I am the architecture expert. &nbsp;I mean, who else would they pick? &nbsp;Joke. &nbsp;I was honored to be asked.<br /><div><br /></div><div>Visit often. &nbsp;I'll twitter a link when the articles I've written go live there.</div>]]>

</content>
</entry>

<entry>
<title>Miso, City Of Reubens</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/04/miso-city-of-reubens.php" />
<modified>2010-04-19T18:27:01Z</modified>
<issued>2010-04-19T18:19:29Z</issued>
<id>tag:tropolism.com,2010:/1.772</id>
<created>2010-04-19T18:19:29Z</created>
<summary type="text/plain"><![CDATA[Whilst perusing the website for the Living Walls Conference (coming to Atlanta in August!) I was taken particularly by the artist Miso, living in Melbourne, Australia. &nbsp;An entire section of her site is devoted to street art. &nbsp;Not necessarily original...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/misobuffdiss2.jpg"><img alt="misobuffdiss2.jpg" src="http://tropolism.com/assets_c/2010/04/misobuffdiss2-thumb-440x221-102.jpg" width="440" height="221" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Whilst perusing the website for the <a href="http://livingwallsconference.com">Living Walls Conference</a> (coming to Atlanta in August!) I was taken particularly by the artist Miso, living in Melbourne, Australia. &nbsp;An <a href="http://cityofreubens.com/work/streets/">entire section of her site</a> is devoted to street art. &nbsp;Not necessarily original (any dweller of New York has seen dozens of work like this, living as we do in the&nbsp;graffiti&nbsp;capital of the world), but definitely with a specific grasp of how street art affects how we use and inhabit cities. &nbsp;Her work unifies a lot of the poster&nbsp;detritus&nbsp;it operates on, and creates a new standard for site-specific street art.]]>

</content>
</entry>

<entry>
<title>Master&apos;s Chair</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/04/masters-chair.php" />
<modified>2010-04-19T18:18:09Z</modified>
<issued>2010-04-19T18:09:49Z</issued>
<id>tag:tropolism.com,2010:/1.771</id>
<created>2010-04-19T18:09:49Z</created>
<summary type="text/plain"><![CDATA[Sometimes referencing three other things all at once in a design is a ridiculous mess (however fabulous the result may be). &nbsp;Sometimes, it rocks. &nbsp;Witness Kartell's new Masters Chair, which references&nbsp;silhouettes&nbsp;of famous chairs by Arne Jacobsen, Charles and Ray Eames,...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/kartell-welcomeblack1.jpg"><img alt="kartell-welcomeblack1.jpg" src="http://tropolism.com/assets_c/2010/04/kartell-welcomeblack1-thumb-440x161-100.jpg" width="440" height="161" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Sometimes referencing three other things all at once in a design is a ridiculous mess (<a href="http://tropolism.com/archives/2010/03/anish-kapoor-does-all-towers-at-once.php">however fabulous the result may be</a>). &nbsp;Sometimes, it rocks. &nbsp;Witness Kartell's new Masters Chair, which references&nbsp;silhouettes&nbsp;of famous chairs by Arne Jacobsen, Charles and Ray Eames, and Eero Saarinen. &nbsp;The resulting chair is some kind of seriously whacked out <a href="http://tropolism.com/archives/2008/11/furniture-friday-thonet-for-muji-correction.php">Thonet No. 14</a>, capturing the lightness and alien spirit of that chair. &nbsp;In plastic.<div><br /></div><div>If only they'd added Adolf Loos to the mix.<br /><div><br /></div><div>As seen on <a href="http://www.coolhunting.com/design/welcome-back.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+ch+(Cool+Hunting)">Cool Hunting</a>.</div></div>]]>

</content>
</entry>

<entry>
<title>Springs Mills Building Gets Landmarked</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/04/springs-mills-building-gets-landmarked.php" />
<modified>2010-04-14T20:46:18Z</modified>
<issued>2010-04-14T20:39:45Z</issued>
<id>tag:tropolism.com,2010:/1.770</id>
<created>2010-04-14T20:39:45Z</created>
<summary type="text/plain"><![CDATA[Now that the Springs Mills Building is no longer taking second seat as part of the Milliken Building, the NYC Landmarks Preservation Commission was able to see it in its full glory and give it Landmarked status&nbsp;(warning: PDF press release)....]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>New York</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/millikensprings1.jpg"><img alt="millikensprings1.jpg" src="http://tropolism.com/assets_c/2010/04/millikensprings1-thumb-440x330-98.jpg" width="440" height="330" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Now that the Springs Mills Building is no longer taking second seat as <a href="http://www.tropolism.com/archives/2005/08/milliken_and_sp.php">part of the Milliken Building</a>, the NYC Landmarks Preservation Commission was able to see it in its full glory and give it <a href="http://www.nyc.gov/html/lpc/downloads/pdf/10_04_springs_mills.pdf">Landmarked status</a>&nbsp;(warning: PDF press release). &nbsp;It helps that the <a href="http://tropolism.com/archives/2008/05/milliken-building-going-down-for-hotel.php">Milliken Building got demolished last year</a>.<div></div><div><br /></div><div>Seriously, I am dying to post the design I did for this building's gorgeous floorplate 10 years ago, but copyright laws prevent such intellectual property being shared. &nbsp;Let's just say that the slender hexagon of a floorplate is as sexy-awesome as it sounds to everyone who describes it.</div>]]>

</content>
</entry>

<entry>
<title>The Ethics Of Dust</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/04/the-ethics-of-dust.php" />
<modified>2010-04-02T17:39:47Z</modified>
<issued>2010-04-02T17:30:54Z</issued>
<id>tag:tropolism.com,2010:/1.769</id>
<created>2010-04-02T17:30:54Z</created>
<summary type="text/plain"><![CDATA[Jorge Otero-Pailos, an architect/artist, is our favorite kind of preservationist. &nbsp;His bio is all we need to know: "his work rethinks preservation as a powerful countercultural practice that creates alternative futures for our world heritage."And how. &nbsp;Our favorite project of...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/ethicsofdust.jpg"><img alt="ethicsofdust.jpg" src="http://tropolism.com/assets_c/2010/04/ethicsofdust-thumb-440x320-96.jpg" width="440" height="320" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a><a href="http://www.oteropailos.com/">Jorge Otero-Pailos</a>, an architect/artist, is our favorite kind of preservationist. &nbsp;His bio is all we need to know: "his work rethinks preservation as a powerful countercultural practice that creates alternative futures for our world heritage."<div><br /></div><div>And how. &nbsp;Our favorite project of his is <i><a href="http://artwelove.com/insights/archives/2009/08/05/if-there-are-images-in/">The Ethics Of Dust</a></i>, consisting of a large latex sheet that&nbsp;pulled&nbsp;off ancient&nbsp;pollution&nbsp;from the Doge's Palace last year at the Venice Bienale. &nbsp;Backlit and freefloating, it's like a Shroud of Turin for architects: a study of time, and the value of recording even the decay of an important icon.</div>]]>

</content>
</entry>

<entry>
<title>Anish Kapoor Does All Towers At Once</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/03/anish-kapoor-does-all-towers-at-once.php" />
<modified>2010-03-31T20:17:01Z</modified>
<issued>2010-03-31T19:59:27Z</issued>
<id>tag:tropolism.com,2010:/1.768</id>
<created>2010-03-31T19:59:27Z</created>
<summary type="text/plain"><![CDATA[Like the love child, or a genetically spliced clone of, the DNA of the Eiffel Tower,&nbsp;Tatlin's Tower, and Umschreibung, Anish Kapoor has unveiled his proposal for the London 2012 Olympics: ArcelorMittal Orbit, which seriously makes no sense to me, is...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/KA---POW.png"><img alt="KA---POW.png" src="http://tropolism.com/assets_c/2010/03/KA---POW-thumb-440x329-94.png" width="440" height="329" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Like the love child, or a genetically spliced clone of, the DNA of the Eiffel Tower,&nbsp;<a href="http://images.google.com/images?q=tatlin's+tower&amp;um=1&amp;ie=UTF-8&amp;ei=-6qzS-6UEYGKlweQkbi7BA&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CBcQsAQwAA">Tatlin's Tower</a>, and <a href="http://www.olafureliasson.net/works/umschreibung.html">Umschreibung</a>, Anish Kapoor has unveiled his proposal for the London 2012 Olympics: ArcelorMittal Orbit, which seriously makes no sense to me, is that one, two, three corporations mashed together or is that the name of the work? &nbsp;2012 is the new 2007.<div><br /></div><div>However, the insanity of it almost rescues it. &nbsp;Perhaps <a href="http://www.towerofpower.com/">Tower Of Power</a> will perform at the opening ceremony?</div><div><br /></div><div>Tipped off by Art Lovers at&nbsp;<a href="http://www.theawl.com/2010/03/anish-kapoors-insane-olympic-tower">The Awl</a>.</div>]]>

</content>
</entry>

<entry>
<title>Herzog and DeMeuron Get Tough</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/03/herzog-and-demeuron-get-tough.php" />
<modified>2010-03-31T13:56:53Z</modified>
<issued>2010-03-31T12:50:18Z</issued>
<id>tag:tropolism.com,2010:/1.767</id>
<created>2010-03-31T12:50:18Z</created>
<summary type="text/plain"><![CDATA[While more of a concept than a realized building idea, Herzog and DeMeuron's design for the Fondazione Giangiacomo Feltrinelli in Porta Volta, Milan is brutally straightforward. &nbsp;In fact, the brutal finalness, the balance between grace and heaviness, the superscale and...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Celebutantes</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/Fondazione%20Feltrinelli%20HdM.jpg"><img alt="Fondazione Feltrinelli HdM.jpg" src="http://tropolism.com/assets_c/2010/03/Fondazione Feltrinelli HdM-thumb-440x310-92.jpg" width="440" height="310" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>While more of a concept than a realized building idea, Herzog and DeMeuron's <a href="http://www.archdaily.com/53599/porta-volta-fondazione-feltrinelli-herzog-de-mueron/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+ArchDaily+(Arch+Daily)">design for the Fondazione Giangiacomo Feltrinelli</a> in Porta Volta, Milan is brutally straightforward. &nbsp;In fact, the brutal finalness, the balance between grace and heaviness, the superscale and prefabricated grit had our first thought be thus: <i>this is going to be&nbsp;</i><a href="http://www.flickr.com/photos/22499205@N06/2165801762/in/photostream/"><i>Gino Valle's</i></a><i> finest building </i><a href="http://8sandman4.giovani.it/tags/valle/"><i>ever</i></a><i>.</i>]]>

</content>
</entry>

<entry>
<title>Mayer Rus On The Tyranny Of Taste</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/03/mayer-rus-on-the-tyranny-of-taste.php" />
<modified>2010-03-30T19:27:08Z</modified>
<issued>2010-03-30T19:24:46Z</issued>
<id>tag:tropolism.com,2010:/1.766</id>
<created>2010-03-30T19:24:46Z</created>
<summary type="text/plain"><![CDATA[Ah, we wondered what Mayer Rus&nbsp;was up to these days. &nbsp;It's good to see his wit has found a suitable outlet....]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Los Angeles</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/rus%20with%20love.jpg"><img alt="rus with love.jpg" src="http://tropolism.com/assets_c/2010/03/rus with love-thumb-440x586-90.jpg" width="440" height="586" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>Ah, we wondered what <a href="http://fromruswithlove.latimesmagazine.com/2010/03/the-tyranny-of-taste.html">Mayer Rus&nbsp;</a>was up to these days. &nbsp;It's good to see his wit has found a suitable outlet.]]>

</content>
</entry>

<entry>
<title>Hollin Hills Is Where Home Is</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/03/hollin-hills-is-where-home-is.php" />
<modified>2010-03-30T19:30:19Z</modified>
<issued>2010-03-30T18:57:46Z</issued>
<id>tag:tropolism.com,2010:/1.765</id>
<created>2010-03-30T18:57:46Z</created>
<summary type="text/plain"><![CDATA[Hollin Hills is a modernist residential development from the middle of the last century in Alexandria, Virginia, not far from the US capital. &nbsp;This is our thing, and we have several bookmarks around these developments. &nbsp;The development was designed by...]]></summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Celebutantes</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/Hollin%20Hills%20Charles%20Goodman%201949%20-%202.jpg"><img alt="Hollin Hills Charles Goodman 1949 - 2.jpg" src="http://tropolism.com/assets_c/2010/03/Hollin Hills Charles Goodman 1949 - 2-thumb-440x292-88.jpg" width="440" height="292" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a><a href="http://www.hollinhills.org/index.php">Hollin Hills</a> is a modernist residential development from the middle of the last century in Alexandria, Virginia, not far from the US capital. &nbsp;This is our thing, and we have several <a href="http://www.nytimes.com/2009/08/27/garden/27cape.html?_r=2">bookmarks </a>around these developments. &nbsp;The development was designed by architect Charles Goodman and features <a href="http://www.flickr.com/photos/88017382@N00/tags/hollinhills/">many of his house designs</a>. &nbsp;What's exciting to me is how fresh and alive the houses look now. &nbsp;And, how wonderful of a departure it is for houses which in that part of the country are mind-numbingly attached to being some form of Oldene Lookinge Colonial Style. &nbsp;For those of you looking to explore, there is a house tour of Hollin Hills on May 1.<div><br /></div><div>In fact, there's a few modern real estate gems for sale, and <a href="http://moderncapitaldc.com/?cat=12">an entire website devoted to finding them</a>. &nbsp;Some good deals there too: people in that neck of the woods apparently haven't caught on to how cool these houses are yet.</div><div><br /></div><div>(photo from <a href="http://www.flickr.com/photos/88017382@N00/tags/hollinhills/">Chimay Bleue's flickr set</a>)</div><div><br /></div><div><br /></div>]]>

</content>
</entry>

<entry>
<title>Acido Dorado: Mies Finally Loses Control And Gets Giddy</title>
<link rel="alternate" type="text/html" href="http://tropolism.com/archives/2010/03/acido-dorado-mies-finally-loses-control-and-gets-giddy-1.php" />
<modified>2010-03-26T20:13:25Z</modified>
<issued>2010-03-25T16:07:18Z</issued>
<id>tag:tropolism.com,2010:/1.764</id>
<created>2010-03-25T16:07:18Z</created>
<summary type="text/plain">For those of you who thought Rosa Muerta was pretty sweet (and most of you did, the house got jillions of hits and went on a magazine tour) we would like to direct your attention to the amazing Acido Dorado....</summary>
<author>
<name>chadsmith</name>

<email>chad@chadsmitharchitect.com</email>
</author>
<dc:subject>Artist-tecture</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en-US" xml:base="http://tropolism.com/">
<![CDATA[<div><br /></div><a href="http://tropolism.com/picture_library/outside-pool-fence-gold1___2d3401dbab58d49e5c491294aee95f3d.jpg"><img alt="outside-pool-fence-gold1___2d3401dbab58d49e5c491294aee95f3d.jpg" src="http://tropolism.com/assets_c/2010/03/outside-pool-fence-gold1___2d3401dbab58d49e5c491294aee95f3d-thumb-440x293-86.jpg" width="440" height="293" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>For those of you who thought <a href="http://tropolism.com/archives/2008/11/rosa-muerta.php">Rosa Muerta</a> was pretty sweet (and most of you did, the house got jillions of hits and went on a magazine tour) we would like to direct your attention to the amazing <a href="http://www.prettyvacantproperties.com/pages/view/acido-dorado/">Acido Dorado</a>. &nbsp;We got wind of this last December, but in our winter business flurry we let it fall to others to announce the awesomeness. &nbsp;Now we chime in.<div><br /></div><div>Acido Dorado. &nbsp;It's like Mies is still doing houses, and he's in his late-period expressionist phase, and he's really lost his previous control. &nbsp;This is a good thing. &nbsp;He brilliantly does his color-symmetry thing, except this time with the desert, and the color GOLD MIRROR.</div><div><br /></div><div>Except it's not Mies. &nbsp;It's Robert Stone, who develops these houses and then rents them out. &nbsp;The most brilliant strategy for creating new and idiosyncratic buildings in the USA today. &nbsp;Don't take our word for it, just read the website:</div><div><br /></div><blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial, helvetica, sans-serif; font-size: small; ">Acido Dorado sits in a 180 degree nook of a small mountain of rocks and presents on the outside a long and low chopped and channeled profile with huge mirrored overhangs, hearts, flowers, and 3 colors of acid-tinged metallic gold. Inside, it's all preppy-glam; a beige and tweed country club strung out on gold and mirror accents.</span></div></blockquote>]]>

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