Tropolism Books: After The City, This (Is How We Live)
Title: After The City, This (Is How We Live)
Author: Tom Marble
Book Designer: Juliet Bellocq
Publication Date: December 2008
Publisher: RAM Publications and the Los Angeles Forum for Architecture and Urban Design
This book is available through the Los Angeles Forum for Architecture and Urban Design's website. This book is not yet available at Amazon.
Review by John Southern.
In every dream home a heartache
And every step I take
Takes me further from heaven
Is there a heaven?
I’d like to think so
In Every Dream Home a Heartache, By Roxy Music, 1973.
I started out my career in architecture as a designer with a corporate firm in Washington D.C. that specialized in office parks, many of which were located in the rapidly developing Reston/Dulles Corridor of Northern Virginia. The experience, which only lasted 6 months, left me so cynical towards both corporate developers and the architects who serve them that I quit and went to work for another Virginia firm that focused on assisted living.
That however, is another story.
What I learned during my short tenure at that firm was that the development industry has neither an emotional attachment towards the social implications of the built environment, nor does it care for the utopian projections which began with the modern movement- both sentiments that are drilled into architects brains during their first year of design education. Instead, developers have learned to harness what architects typically eschew- society’s fondness for nostalgia and predictability, as well as an ability to conveniently ignore the implications of the environmental damage caused by suburban development.
Enter After The City, This (Is How We Live), a clever, exploratory pamphlet by Los Angeles architect, Tom Marble. Supported by the Los Angeles Forum for Architecture and Urban Design, After the city, (this is how we live) cloaks itself in the guise of a Hollywood script weaving a story that is both educational as it is entertaining. Marble seeks to unravel the why behind all of those “little boxes on the hillside”, how they got there, and the men who made them. Hollywood has long been infatuated with the suburbs, often portraying them as hotbeds of banal consumption juxtaposed with the prospect of illicit activities which often occur behind the carefully manicured hedgerows and modest facades. However, while many script writers have explored the psychology and sociology behind suburban living, few have sought to uncover the larger processes that gave us the suburbs in the first place.